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Download Hello Brother Full Movie In Hindi Dubbed In Mp4


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A quiet and mature man meets with his twin - who is exactly his opposite.

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Performances - Nagarjuna once again proves his versatility. Be it, the petty thief, "Deva" or the rockstar, "Ravi Varma", Nagarjuna did a fabulous job. Nagarjuna gets two contrasting characters and he excels in both. He's showed a lot of variations in both the characters. Mass comedies are not new for Nagarjuna, but what makes this different from others is the concept of "twins and the reflexes between them". You have to watch the film to know, what I mean by the word "Reflexes". Among others, Kota Srinivasa Rao, Brahmanandam, Mallikarjuna Rao, Babu Mohan, Giri Babu get major share and they excel in their roles. Ali's role is very nice, though only lasts for a couple of scenes. Heroines don't contribute significantly to the plot. Napolean as the baddie, did very well.

Music - Music by Raj-Koti is superb. "Kanne Pettaro", "Priya Ragale" are still popular. Background score is very nice.

Other Technical Departments - Cinematography and Editing are fine. Art work is nice.

Dialogues - Dialogues by L.B.Sriram are very good. He oozed comedy in most of the dialogues. The Godavari-accent dialogues written for Nagarjuna are superb.

Story, Screenplay & Direction - Story is taken from Hong Kong comedy, "Twin Dragons" starring Jackie Chan and modified according to Telugu nativity. Direction is good. E.V.V.Satyanarayana made sure that there is ample humor in most of the scenes. His screenplay is interesting. There are totally 3 pairs in this movie, 3 leads and 1 sidekick to each of them. Nagarjuna-Brahmanandam, Kota Srinivasa Rao-Mallikarjuna Rao, Giribabu-Babu Mohan are the pairs and the comedy is nicely generated within the pairs. It is a nice approach for comedy movies.

Final Piece - First half is good and the second half is equally nice. The only minus points are few double meaning dialogues (only few) and pre-climax scenes. Apart from these minus points, the film is a full laugh riot. There is a lot of comedy in the movie due to which it has a terrific repeat value. You can watch it 'N' number of times, without getting bored. Superb Entertainer. Hello brother is a comedy action thriller movie with high production values. Director EEV Satyanarayana being known for his spontaneity dialogues and humour taken the movie to next levels. The male lead Akkineni Nagarjuna is a back bone of the movie with his action, timing in humour, fights, and dialogue diction earned the movie to receive huge positive response. This movie helped Nagarjuna to reach another level in his progress to achieve a superstar status in tollywood film industry. Female leads Ramya krishna and Soundarya are upto high in their roles and helped Nagarjuna to generate good chemistry and best at the romantic sequences. Comedians Bramhanadam was very good and had a great timing in humour with Nagarjuna. and the remaining ones Kota Srinivasrao, Mallikarjuna rao, Gribabu, Sarath babu, Sri Hari, Babu Mohan, Ali are in their peeks with their caharacterizations. The villain Nepoleon Duraisamy had given his best and well supported by Rajanala one of the famous villains of all time in tollywood. Finally the movie is a blockbuster and listed in all time great hits in tollywood movies.


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Dracula awakens after decades of slumber to find that Satan's return is imminent. He reluctantly teams up with his old enemy Zobek to stop the apocalypse from happening.

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The game starts with a Prologue of the Castle Siege. Taking place after the Mirrors of Fate, Dracula's castle is being attacked by the Brotherhood of Light. After destroying their Mechanical Titan, and most of the soldiers along with it, he faces off with the Golden Palladin,then his estranged vampiric son, the vampire knight Alucard. In modern times, Zobek finds Dracula, who is in a weakened state. He offers to rid his old friend of his immortality, at the price of his help. Zobek fears that Satan's return is imminent, and needs Dracula's strength. Dracula awakens after decades of slumber to find that Satan's return is imminent. He reluctantly teams up with his old enemy Zobek to stop the apocalypse from happening. Well this was something I had been meaning to do ever since I picked up a controller. Playing as Dracula has been a dream of mine forever. Controlling him, you traverse the large Gothic city built upon your old castle's ruins and ally yourself with an old enemy to stop an even greater foe's imminent return. Systematically, you hunt down those responsible for bringing him back and kill them, all the while being plagued by visions of your long lost son who takes you back in time to your castle in hopes of regaining your latent powers and your lost memories. This all sounds great on paper, doesn't it. Well it's great in practice as well, except for one thing... the game feels and looks like Guillermo del Toro directed it. I know most of you will be pleased to hear this... But to me, the creature designs were just fine before they became all... Outlandishly weird, with the exception of Raisa Volkova's final form. Besides that, the scenery is quite the sight to behold, the "memories" of the castle especially. I often found myself standing completely immobile for minutes at a time marveling at the sights around me, and that is truly an accomplishment. The combat is mostly similar to the previous LoS installment, with the exception of the Void sword and the Chaos Claws that replace your blue and red whip while maintaining each color's magical properties. As Dracula, you progressively gain abilities like turning into mist to move past metal bars and become temporarily invulnerable to damage, swarm of bats to distract your enemies and possess them, the ability to morph into a pack of rats to climb through ducts and get past enemies and of course your blood daggers and relics. The puzzles are back, and there are one or two particular ones that might send you up the wall as it did me. The semi-open world draws a lot from Dark Souls in the way that most areas are interconnected and lead you back to the starting point. Fast travel is available though, if you can find the nearest map room. The trials are done away with and are replaced by arena challenges, unlocked by collecting specific artifacts. So to summarize... LoS2 is a great, gorgeous game with perhaps the most detailed and beautiful environments I have seen in a long time. I just wish they hadn't gone so over the top with the creature designs and had more powers for Dracula, I mean, c'mon he's Dracula? Worth at least a try though, even if it's just for the endless eye candy all around you. Game had every chance to be amazing. It had every chance to learn from LOS 1, embrace what works, continue what was amazing and not stray too far from its original premise.

Instead...we got... LOS 2. Dracula in a big city, lifeless, in ruins, linear, uninteresting, total lack of interesting narration, total lack of creative boss fights outside of the opening one.

Devoid of immersion outside of Castle Dracula.

Way too obsessed with opening doors, getting elevators to work, flowing through ventilation shafts, avoiding lasers and INSTA FAIL guards that make Dracula feel like a big wimp.

The game is punishingly stupid at times and puzzles are incredibly simply yet not remotely obvious. Its tedious. Its boring. And its SO ANNOYING because you wanna love this game. I want to love Dracula. I want to enjoy playing as this badass vampire. I want to continue doing all I did from the 1st game, I wanna fly around like in the trailer, I wanna transform into the bird, I wanna transform into a huge vampire.

But instead of doing anything cool and creative like that. We're just doing door unlocking, power diverting puzzles, doing a truckload of backtracking, constantly being introduced to the same areas we've seem before in this lifeless, boring ruined city thats devoid of ANYTHING but demon life.

Its so tedious. And it just doesn't change. Where as LOS 1 would offer you very different areas. Villages, swamps, castles, demonic underworlds, dark forests, beautiful lush forests, snowy locations, and undead, abandoned towns... LOS 2 offers you the same god damn ruined New York streets filled with generic demons and....thats it.

With your occasional trip to Castle Dracula thats not even that interesting either. Especially since its mostly optional.

every mission you complete isn't boiling down to anything grand. Resulting in any big narration or sense of completionist music theme that makes you feel like you did in the 1st game.

It just feels like you now trigger the next cutscene back at Zobeks house where he tells you: Hurry up and complete the next stuff so I can kill you and we can be done.


Marie barely shows up. Alucard's role makes for a cool plot point later but overall remains of minimal interest. The grand finale versus Satan is INSULTINGLY bad.

Its over so fast, you do more climbing than fighting and by the end you don't even do anything to make you feel like you're defeating Satan like in the 1st game.

"sigh" I know a lotta people love the idea of this. Rate it 10 and 9 and more. because its Dracula. Its vampires. We all love it.

but if you really love this concept you should want a proper execution of this premise as well. And Mercurysteam could've done FAR better.

This smells like a rushed product, sabotaged by Konami, it has lacking creativity, lacking level design, underwhelming boss fights and a really lackluster ending that doesn't remotely culminate in anything. LET ALONE... how it basically makes your ENTIRE INCENTIVE SINCE THE START OF THE GAME feel pointless because not only do you realize you can live on with your son but " spoiler alert... " it was the idea all along.... you just forgot after Alucard stabbed you with his sword.

Honestly. Its anti-climactic. I can respect the premise. The idea of the city, demons and all that. But this execution is dreadfully awful and BLEAK as F#ck.

LOS did everything better. LOS 2 deserves to be called out for its lackings. Not solely praised for having a badass Dracula concept and trailer. 10 out of 10 for its opening sequence fighting knights. 6 out of 10 for the rest of the game.

Its a mediocre game. Wasted opportunity. Wanna buy this game? Play it for its opening mission ONLY. The rest can be skipped. You wont miss anything.


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In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.

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After Omni Consumer Products (OCP) announces that it bought out the Detroit police department, the department decides to go on strike. Alex Murphy gets transferred from Metro South to the West. He and new partner Anne Lewis track down a group of criminals led by Clarence Boddicker. Unfortunately, Murphy is mutilated and killed by Clarence's gang. Bob Morton, one of OCP's employees, transforms Murphy's barely cold corpse into RoboCop (to compete with fellow employee Dick Jones' ED-209 robot). RoboCop's tests are successful. Unfortunately, RoboCop rediscovers his memories (when he was Alex Murphy) and now knows he has to find and arrest Clarence Boddicker. When he realizes that Clarence is working for Bob Morton's company rival Dick Jones, RoboCop must stop both Clarence and Dick Jones. In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories. I hadn't seen this movie in a hundred years, well since the 80's anyway but I'd always remembered that it was a good movie. I caught it again on TV the other night and went in expecting an absolute 80's cheesefest; with bad special effects and satirical bad guys but I was pleasantly surprised, this is still a good movie.

Yes it is a bit dated now in terms of special effects and the super cool opening graphics but not as much as I was expecting and in terms of when this was made, its pretty brilliant. Lots of clever ideas, with an intelligent story disguised somewhat by action, gore and dark satire.

Peter Weller does a fantastic job as Officer Alex Murphy, a Detroit police officer who is killed in the line of duty and then resurrected as a half human-half robot programed to serve justice at any cost -a quest that is often at odds with his thirst for revenge against the thugs that killed him.

Weller manages to express a lot of emotion from under his mask and must have really worked on getting the robotic body language down, the jerkiness. I wound up feeling really sorry for his character.

Lots of familiar faces amongst the business men and bad guys with Clarence Boddicker standing out as the perfect baddie, trying to kill 'Murphy (again). He spouts my favourite line from the movie upon entering Miguel Ferrer's cocaine party "bitches leave".

There are also some funny ads (the Nuke-Em game) and ironic futuristic news clips. A movie worth checking out again, its stood the test of time. 6/23/15 i was just wondering if RoboCop ever felt sexual longing for women. anyone care to respond? if there is a part where he displays (i'll even allow references from the less-enjoyable sequels) such a characteristic, tell me where it is, because i certainly missed it.

another funny thing i noticed is that the actor who plays Joe Cox is named Jesse Goins. add an 'r' after the 'G' and what does it spell? i thought that was humorous. Robocop is one weird and entertaining hybrid of camp and sci-fi shoot-'em-up. When Old Detroit police officer Alex Murphy (Peter Weller) is brutally murdered by a group of criminals led by crime boss Clarence Boddicker (Kurtwood Smith), Omni Consumer Products (OCP) employee Bob Morton (Miguel Ferrer) uses Murphy's body to create a powerful cyborg—part man, part robot—that they name RoboCop. With the help of RoboCop/Murphy's ex-partner, Officer Anne Lewis (Nancy Allen), RoboCop begins to get back his memories of his previous life and decides to find and arrest Boddicker as well as corrupt OCP President Dick Jones (Ronny Cox). RoboCop was filmed from a screenplay written by American screenwriters Edward Neumeier and Michael Miner. According to Neumeier, he got the idea for RoboCop when he asked his friend about another movie,(1982), and the friend replied, "It's about a cop hunting robots," leading him to think about a robot cop. The character of RoboCop was inspired by British comic book hero Judge Dredd as well as the Marvel Comics superhero Rom. The success of RoboCop inspired two sequels, RoboCop 2 (1990) (1990) and RoboCop 3 (1993) (1993); and two TV series, RoboCop (1994) (1994-1995) and RoboCop: Prime Directives (2001) (2000). RoboCop was novelized in 1987 by American sci-fi writer Ed Naha.The series was rebooted with the release of RoboCop (2014) (2014). Yes, as second in command of OCP (as well as a resourceful individual), Dick could have easily saw to it that it was included. In fact, he admits as much when RoboCop attempts to arrest him him for aiding and abetting a known felon. "Directive 4: Any attempt to arrest an officer of OCP results in shut down" which Dick says to RoboCop, "my little contribution to your psychological profile." Since Directive 4 protects OCP executives like both Dick and Bob from arrest by RoboCop, Bob probably wouldn't have objected too heavily to it being included, if he even knew, which is doubtful. When Morton asks RoboCop, "What are your prime directives?", RoboCop reads off the first three: (1) "Serve the public trust", (2) "Protect the innocent", and (3) "Uphold the law". When Morton turns to gloat to his colleagues, an additional directive is flashed on the screen, simply reading, "Classified" within square brackets. Morton does not seem to notice it, so it goes unchallenged, suggesting to the viewer that Morton was unaware of its inclusion in the program. (The textual presentations of all the directives are in all capital letters, each prefaced as "{Numeral}: {Imperative phrase}" or "Directive {Numeral}: [{Adjective}]"; for fake example, "0: Conform to subsequent directives" or "Directive 0: [Undefined]". The three prime directives have the former form whereas the fourth has the latter form.) It's a simple editing mistake that probably resulted from a misplanning of the scene. The costume department or the director and producers probably couldn't come up with an easy way for the chin plate to be removed at the time. When RoboCop takes off his helmet, it's meant to be a very dramatic moment in the film; the audience sees Murphy's face for the first time after he becomes a cyborg. Any extra time devoted to a more detailed removal of the helmet and chin protector might have lessened the dramatic impact. The chin plate removal was addressed in one of the TV series where RoboCop's helmet appears to be attached to it and they come off in one piece. The drug gang at the factory probably numbered no more than about 20 and they were all using small arms as weapons. Lt. Hedgecock leads a SWAT force against RoboCop at OCP HQ that numbers at least twice at many people as the drug factory gang. In the drug factory, all the men shooting at RoboCop are using what appear to be smaller caliber weapons (Uzis, shotguns, pistols, a few larger rifles) and all take up firing positions a good distance away. The lieutenant's force is larger and they have more firepower, more powerful weapons and they move in right on top of RoboCop. (Note: There's a reason why "SWAT" stands for special weapons and tactics, and the situation at hand lives up to it and perhaps beyond, given OCP's militarization theme.) With more concentrated firepower and the shorter distance and the increased number of weapons involved, the damage to the hero is greater. Plus, RoboCop was already pretty banged up from his encounter with ED-209, as in having all sorts of punctures in his armor leaving some circuitry and hydraulics vulnerable, the latter (or something else) leaking a bit. Assuring the wounded Lewis that OCP can fix her ("They fix everything"), RoboCop returns to OCP headquarters where the board members are conducting a meeting. RoboCop easily takes out the ED-209 guarding the building and confronts Dick Jones in the board room, accusing him of murder and providing proof in the form of a video he had recorded in which Jones admits that he had to kill Bob Morton "because he made a mistake." Jones grabs a handgun and holds it to the Old Man (Dan O'Herlihy)'s head, vowing to kill him unless a helicopter is provided for his escape. Unable to take action against Jones because of Directive 4, RoboCop is pleased when the Old Man summarily fires Jones, voiding the directive and allowing him to fire several times on Jones, who falls out a window to his death. In the final scene, the Old Man compliments RoboCop on his shooting and asks him, "What's your name?" After a brief pause, RoboCop responds, "Murphy." Director Paul Verhoeven had to remove a few violent shots to avoid an X rating from the Motion Picture Association of America (MPAA). The unrated version restores this footage to the film. There are no additional scenes or plotlines added to the unrated cut of the film. Bobby: greatly angers Clarence after a bank robbery. Bobby had blown the safe and wound up burning most of the money, making the score worthless. Bobby gets shot in the leg by Murphy, so Clarence orders the group to throw him out of their van and into the windshield of Murphy and Lewis' cruiser, killing him.

Dougy: is watching TV with Emil, when Murphy gets the drop on them. Dougy reaches for his gun and Murphy shoots him twice in the chest.

Steve Minh: Opens fire on Robocop in the cocaine factory, instigating the shootout. After Robocop guns down everyone else in the factory, he turns his attention to Clarence, Steve and Joe. He shoots Steve in the chest, as he falls, he hits Joe in the face with his shotgun, knocking him off the walkway.

Joe P. Cox: While searching for Robocop in the sewage plant, Murphy throws a can and distracts the group, while they are distracted, Murphy shoots Joe three times in the torso from an elevated position. Joe dies from his wounds shortly after.

Emil M. Antonowski: Chasing down Murphy in his van, Emil attempts to ram him. Murphy leaps out of the way at the last possible second, causing Emil to crash into a vat of toxic chemicals, which horribly disfigure him and cause the flesh to melt off his bones. While attempting to find help, he walks out in front of Clarence's car. Clarence didn't see him, as he was distracted by Lewis chasing him. He hits Emil, causing his body to completely burst apart over the windshield, which leads to Clarence crashing his car.

Leon C. Nash: Leon saves Clarence from Murphy executing him by dropping a few tons of scrap metal onto him. A wounded Lewis grabs one of the gang's Cobra Assault Cannons and blows up the crane that Nash was in, killing him.

Clarence J. Boddicker: Enraged at the death of Nash, Clarence picks up a steel spike and begins beating Murphy with it, even piecing his chest armor. He leans in to taunt Murphy, just close enough that Murphy was able to stab him in the throat with his computer terminal spike. Not directly, one certainly could point the finger at Bob Morton who intentionally sent "prime candidates" into high crime areas in the hope that they would get killed. Since the police officers signed a release form he would then be legally allowed to use their bodies for the Robocop prototype. Even though this is highly unethical, immoral and shows a complete disregard for human life (which was a theme of the movie) Morton didn't actually do anything illegal as there is no indication that he had any kind of connection with Boddicker and his gang. In the case of Dick Jones it has been theorized that he hired Boddicker to kill a bunch of police officers so that the Old Man would approve his ED-209 project but this also does not seem to be the case. Boddicker's primary business appears to be drugs and robbing banks, and he simply does not have any problem murdering police officers who stand in his way. As far as the film indicates Jones and Boddicker occasionally do business with each other (such as a hit job on Bob Morton) as Jones is heavily involved in all kinds of illegal activities.


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In 1885, super Agent James West and Artemus Gordon have been in retirement for years. But villain extraordinare Miguelito Loveless, Jr. has somehow replaced the crowned heads of England, Spain, and Russia with exact duplicates under his control, and President Cleveland could well be next. Pressed back into service, and once again aboard their special private train, West and Gordon set out to stop Miguelito from taking over the world. It won't be easy, for it seems he's managed to develop the atomic bomb, around sixty years ahead of its time. In 1885, after years of retirement, West is called in from his Mexican home, and Gordon is taken off the road as a Shakespearian actor to track down and arrest Dr. Michelito Loveless, Jr. The evil son of their most famous opponent has kidnapped the heads of state of countries from around the world and replaced them with deplicates under his control. West and Gordon must stop him before President Cleveland is replaced, but the job won't be easy as the mad scientist has at his disposal a wide assortment of advanced weapons, ranging from robots to atomic bombs. James West (Robert Conrad) and Artemus Gordon (Ross Martin) are brought out of retirement in this engaging, if very campy, TV reunion movie from 1979. West and Gordon battle Miguelito Loveless, Jr. (Paul Williams), who has imprisoned several European heads of state in a dungeon and replaced them with doubles. Loveless also has a nuclear bomb with which he's menacing the world. In an ending reminiscent of the old series, West and Gordon manage to foil Loveless and escape in a most improbable manner.

Fans of the original series will notice a few differences. First, West uses very few of his famous Secret Service gimmicks such as the pistol up his sleeve and the explosives hidden in his boot heel. Second, the dialog and acting are comedic and very broad, almost to the point of ridiculing the characters. Some of the situations presented are pretty ridiculous.

Familiar faces such as Skip Homeier and Harry Morgan appear as Secret Service agents, and the familiar train is of course present. The beautiful Old Tucson filming locations are a big plus as well. Conrad and Martin are good, but the film suffers from its campy approach. It's still enjoyable to see the old duo back in action after 10 years, so if you liked the original series, you'll like this TV movie. The Wild Wild West lived at 7:30 (6:30 Central) on CBS / Friday nights. As I recall - for 5 years. A most enjoyable show especially for an 11 year old up through its cancellation. I must have seen all the episodes.

Now I remember in 1979 being at my parents home and watched it with my mom. We tuned it in because we liked the original. Nothing though can match laughing out loud with a parent after you are an adult.

This was done as a spoof of themselves. "Have you been sick?" No Artie why? He only went 6 feet when you hit him. West goes to pick up a girl at the saloon only to find out that she knows him because he use to date her mother.

Slam on the old age stuff - I liked it - it was what it was suppose to be. Just saw it again on DECADES TV. What a treat.


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genge: Animation,Action,Comedy,Fantasy,Sci-Fi



duration: 20min




































La corsa di Yuma e Astral per affrontare Don Thousand viene fermata dal freddo sangue Alito, ora lavato dal cervello dalla divinità bariana! Possono pensare abbastanza velocemente per liberare Alito di Don Thousand, o prenderà i due in basso per il conteggio ?!


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